Tobias whips up another batch of fun here that features Trilian's "Moogy" side. All the synths in this tune are coming from Trilian, it's a real showcase for how smooth, fat and analog Trilian can sound. In fact, if you didn't know that this was all virtual...I think it would be very hard to guess that this wasn't done with a bunch of vintage analogs. Love that Stevie Wonder style-ending too!

FEATURES: Trilian and Stylus RMX

© Spectrasonics and Tobias Marberger

One of the most unique Basses in Trilian is the Martin Dreadnought Acoustic Bass Guitar, which is great in more exposed settings like this - perfect for those unplugged moments. The Guitar is live on this one, Stylus RMX for percussion and drums, and everything else (even the pseudo-Wurltizer) is from Trilian. 

FEATURES: Trilian Acoustic Bass Guitar, Stylus RMX and Live Guitar

© Spectrasonics and Tobias Marberger

EP takes us on a late-night "Chocolate City" journey back in time, with a very good example of using the True Staccato technique to create a realistic repeated note Bass line using the "Old School Fingered" Bass. It's a cool and warm Fender/Music Man type of sound, and Eric played this primarily in real-time. The mellow Rhodes sound is coming from the Jaco Harmonic Tines patch (!), and the strings are coming from Omnisphere. Groovy!

FEATURES: Trilian, Stylus RMX and Omnisphere

© Spectrasonics and Eric Persing

Created with 15 Trilian parts using many different fretless sounds, articulations and FX in creative ways, to create a rich tapestry and layered result. Hans makes very clever use of the Harmonics and Harmonic FX to use them as Chords and Melodic lines. He also uses the Fretless X-notes to build the groove subdivision. His programming of the Jaco True Staccato sound is very realistic too, as well as the multiple expressive solo lines that each use a different Bass. There's also a fat Minimoog Ballad synth Bass at the bottom of this mix, that really anchors everything. Great example of how you can really compose with Bass sounds using Trilian.

FEATURES: Trilian and Stylus RMX

© Spectrasonics and Hans Joerg-Scheffler

In this track, acclaimed New York session keyboardist and recording artist Philippe Saisse uses only Spectrasonics instruments and features Trilian. Philippe starts right off showing the warmth and smooth triggering of Trilian's Moog and Oberheim synth Basses. The beautiful "Air Pad" is from Omnisphere. Once the B section kicks in you'll hear the "Marcus" style melody from the Modern Funk bass, which is mixed with some Trilian synth doubles for the lead. Believe it or not, the cool Rhodes sound is the "Jaco Harmonics" from Trilian. The Electric Funk lines are doubled with another track of the "Old School Funk" bass too.

FEATURES: Trilian, Omnisphere and Stylus RMX

© Spectrasonics and Philippe Saisse

Adam takes us way back and showcases the Trilian Retro 60's Bass.

FEATURES: Trilian and Stylus RMX

© Spectrasonics and Adam Hawk